
The play is
written by a fresh, local playwright, Lacy
Lalene Lynch, age 23. Lynch graduated from
Baylor University with a B.F.A. in theater performance and
was the first theater major to graduate from the Honors
College in the history of the school. She was also the first
student with a known disability to graduate with Honors.
She attended graduate school at TX A&M University-Commerce
where she received an M.A. in Theater and an award for Outstanding
Graduate Student for the department of Mass Media, Communication,
and Theater. She currently works for Dupree Miller &
Associates, the #1 non-fiction literary agency in the country
based on New York Times Bestseller lists.
Lynch became interested in
mental illnesses and disorders in college upon learning
that they was the leading cause of disability in the US
and Canada. Lynch hopes this play challenges people to identify
and talk about their struggles with mental issues. “If
the stigma is removed," Lynch said, “people
can begin to accept and manage their illness or disorder
with positive alternatives instead of self medicating with
drugs, alcohol, and other destructive devices”
People tend to think of mental illness only in the extreme
context, but the truth is that mental illness manifests
itself in varying degrees and forms. For example, it can
include anything from A.D.D. and anxiety to phobias and
schizophrenia—with depression topping the list.
Author’s
personal battle with Mood Disorder:
As a freshman in college at Baylor
University, Lacy was having some problems sleeping and focusing
and was having hormonal mood swings. She was diagnosed with
a mood disorder, alongside the ADHD. She experienced first
hand the negative stigma that is associated with mental health
diagnosis. She registered with the office of disabilities,
a well-intentioned guidance councilor advised her that it
might be easier to withdraw from Baylor and attend a community
college in her hometown of Colleyville, TX, so as not to exacerbate
her “problem”. She ignored this advice. Because
of her time commitments to theater, her sorority, and everything
else combined with the fact that it took her longer to organize
her thoughts because of her disability, she spent 3 years
of holidays’ and summers writing papers! And with the
encouragement of a few key professors and professionals—and
her family telling her not to give up—she went on to
become the first theater major and the first person with a
registered disability to graduate from the honors college
in the history of the school. |
Featuring
the World Premiere of

What do Van Gogh, Ben
Stiller,
Ernest Hemingway, Vivien Leigh
and Ashley Judd have in common?
They are all
artists who have struggled with depression and disorder. The
original new play REASON FOR REFERRAL
explores the cultural myth of the "tragic artist"
and poses the question is there an element of chaos in creation?
Is madness often the muse? In the world of art, where there
are no boundaries--how do you know where creativity stops
and disorder begins?
REASON
FOR REFERRAL will make its world premiere as
a full-scale production at the Dallas Hub Theater as a part
of the 3rd Annual DFW Fringe Festival in April.

The play was
well received as a staged reading at The Ensemble Studio Theater
in New York, Baylor University in Waco, TX, TX A&M University-Commerce
in Commerce, TX, The Dallas Hub Theater in Dallas, TX and
at the Kennedy Center American College Theater Festival where
it won an original work award at the regional level.
REASON
FOR REFERRAL is an intense, heartfelt, and sometimes
humorous look at the tie between creative expression and mental
disorder. It combines live, original music by William Jordan
Barrick, visual art by Jann Lynch, and drama in a one-of-a-kind
theater experience that follows three young college theatre
students, Cameron, Jack, and Jill who are struggling to create
relationships and make sense of a world that doesn’t
understand them.
|
REASON
FOR REFERRAL
is directed by Atseko Factor. Lynch chose Factor because of
his innovative style and his intuitive understanding of the
human experience.
“When
people aren’t allowed to talk about their issues and
celebrate their differences,” Factor said, “we
steal their hope and their ability to deal with the disorder
that they have.”
“Intelligence doesn’t come packaged the same
way in every person,” Lacy added, “some
of the men and women who wrote our history and enriched our
lives the most showed symptoms of professionally confirmed
mental illness.”
The show runs 1 hour
15 min and is suitable for most audiences. It contains moderate
language and some adult themes.
Famous
Historical Figures and Mental Illness:
Some of the most famous historical
figures of all time showed signs of professional confirmed
mental illness. These include Abraham Lincoln, Vincent Van
Gogh, Beethoven, Tennessee Williams, Ernest Hemmingway, Robert
Schumann, Isaac Newton, Charles Dickens, Vivien Leigh, and
the list goes on and on. Van Gogh, Vivien Leigh, and Hemingway,
for example, were all three in and out of asylums; two, like
many in their day, were given shock treatments, all were substance
abusers; and two of them committed suicide. All three were
prolific figures who made brilliant and lasting contributions
in their field.
"It is only too true that
a lot of artists are mentally ill - it's a life which, to
put it mildly, makes one an outsider. I'm all right when I
completely immerse myself in work, but I'll always remain
half crazy."
-Vincent Van Gogh-
Modern
Celebrities battling Mental Illness:
Many modern celebrities have
come forward with their own personal accounts of mental illness.
Examples: Marc Summers (OCD), Ben Stiller (Bipolar Disorder),
Ashley Judd (Depression), Marie Osborne and Brooke Shields
(Postpartum Depression), Patty Duke (Bipolar Disorder) and
Howie Mandel (OCD)
"Supposedly, my sister
was the 'messed-up' one, and I was the 'perfect' one. They
said, 'No one ever does an intervention on people like you.
You look too good. You're too smart and together, but I needed
help. I was in so much pain."
-Ashley Judd-
Psychological
labeling system and Stigma: “Crazy” is
just a word. “Depressed” is just a word. “Bipolar”
is just a word. But what effect do these “words”
have on the people who are associated with them? Mental disorders
are the leading cause of disability in the US and Canada right
now, yet a recent poll found that 59% of people surveyed felt
comfortable with someone who was in a wheelchair, but only
19% had the same level of comfort with someone who had a mental
illness. Would you shun someone at a dinner party for revealing
that they had diabetes? Imagine telling a cancer patient that
their disease was brought on by emotional weakness and immoral
choices. Many people with mental issues are afraid to get
diagnosed— those who do often struggle with guilt and
shame because of the negative stigma associated with their
diagnosis. This play addresses how we categorize and label
one another socially, medically, and personally.
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